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artistic director.

Commitment to bringing untold stories to the forefront, coupled with her diverse experiences and innovative approach, positions Ziggy Schulting as a valuable addition to the Toronto acting community.

 

Toronto actors can anticipate a dynamic leader who not only brings a wealth of experience, from off-Broadway, but also a passionate dedication to fostering inclusivity and artistic excellence. [Full bio scroll down]

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[she/her] story

Ziggy Schulting, an American actor with a prolific career spanning both stage and film, has made an indelible mark on the New York theatre scene over the past 9 years. Her notable performances in productions like "Teenagers in Love" [Young Becca], "The High Priestess" [Deidre], Bram Stoker’s “Dracula" [Lucy] and "Good Friday" [Video Ensemble] have showcased her versatility and depth as an actor. Collaborating with prestigious theatre companies, Ziggy has had the privilege of working under the guidance of accomplished directors such as Anne Bogart, Sam Schacht, Sherri Eden Barber, Chad Rabinovitz, and a variety of other skilled directors who have made significant contributions in their field.

 

Ziggy's distinction lies not only in her on-stage prowess but also in her extensive training in classic acting techniques. Specialising in Commedia dell’Arte, Shakespeare, Suzuki, Viewpoints, Alexander, Stanislavski, and Strasberg, Ziggy's educational journey includes enriching experiences at Accademia Dell’Arte in Italy, SITI, The Stella Adler Studio, Wesleyan University, Skidmore College, where she earned a Bachelor of Science in Theatre, and attended the highly competitive, Greater Hartford Academy of the Arts, where she was a Musical Theatre major.   

 

Ziggy’s Skidmore credits include Julius Caesar [Marc Anthony], Let the Right One In [Mum], Macbeth [First Witch], The Penelopiad [Oracle/Suitor] and Rachel B. Karp’s world premiere of Of White Walls and Worlds [Charlie].

 

In 2019, Ziggy co-founded the production company 3DAYSPRIOR, assuming the pivotal role of Artistic Director. Under her leadership, the company successfully premiered "Rosencrantz and Guildenstern are Dead" at the Upstairs Theatre in Williamsburg, Brooklyn, followed by a Shakespeare Festival at The Brick. Ziggy's productions have not only graced renowned off-Broadway venues such as The Tank, Dixon Place, and The Brick but have also garnered attention for their innovation and artistic merit.


Beyond her achievements on the production board, Ziggy has emerged as a fervent advocate for underrepresented stories and voices. In 2019, she pioneered the site-specific reading series, "3DProcess: Plays on Draft," a platform that showcased works by emerging playwrights; including Stefani Kuo’s, "Final Boarding Call," and Grace Parker’s award-winning play, "Why We Have Book Club."

LAND ACKNOWLEDGEMENT

We would like to begin by acknowledging the sacred land on which TKBB Toronto operates. This land is the traditional territory of the Huron-Wendat and Petun First Nations, the Seneca, and the Mississaugas of the Credit River. This territory is covered by the Dish With One Spoon Wampum Belt Covenant, an agreement between the Anishinabeg and Haudenosaunee allied nations to share peaceably and care for the lands around the Great Lakes. Toronto is covered by Treaty 13 with the Mississaugas of the Credit, and we are all treaty people. Many of us have come here as settlers, immigrants, or newcomers in this generation or generations past. We also acknowledge the many people of African descent who are not settlers but whose ancestors were forcibly displaced as part of the transatlantic slave trade against their will and made to work on these lands. We honour and pay tribute to the ancestors of African origin and descent. European colonialism and institutional racism have resulted in a great deal of harm to Indigenous Peoples – the effects of which continue to be felt today. As treaty people, we resolve to do better, in our actions and our thoughts, in order to defend Indigenous self-determination, Indigenous women, girls, Two-Spirit and gender diverse people, and make right with all our relations.

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